Category Archives: For All Coaches

This Happens Far Too Often

This arrow shelf is “crowned” which means arrows can be “shot off of the shelf.” Note the material added to protect the bow (Velcro works great at this).

We had a light practice at the college yesterday (most were away at a competition) and one of the team members asked for help with his bow. I asked him what he was working on and he said his arrow rest. This young man is a Traditional Recurve archer and his rest was a metal wire stick-on rest, designed to be used with a plunger. In fact, shooting without a plunger was damaging his arrows because they were rubbing up against the rest’s bracketry. I suggested he use one of the club’s “loaner” plunger buttons and he set about installing it. I showed him how to adjust it and left him to it. (We learn manual things better by doing than by watching somebody else do it for them.)

When he finished he wanted me to check his installation. The button wasn’t out far enough, it barely protruded from the arrow rest, so I did a quick peek at his centershot and it was way outboard from anywhere good. What the heck? I looked more carefully at the bow (being more focussed before on the student) and noted that the arrow shelf was “crowned,” a design that facilitated shooting arrows off of the shelf. I dropped the arrow onto the shelf and … almost perfect centershot. Even with really skinny arrows, there was no way to shoot off of an elevated arrow rest. The only way I could see that the brass threaded insert could be used would be to bolt on a wrap around arrow rest, that would have to hang back over the edge of the shelf because the bow wasn’t cut with enough of a sight window to place any rest inside the sight window.

Who would make such a bow, I wondered? (I am not telling, and this is not the only one I have seen doing this, just let it be known that the buyer must beware when purchasing archery equipment.)

We did a few other things to allow him to “shoot off of the shelf” which I won’t recount but I happened to take a peek at his arrows. They were 350 spine. At his draw length, he would have needed a 65+# bow to make those arrows work. His bow is 42#. Thankfully, the arrows weren’t cut to his actual draw length and were a couple of inches longer, but they needed to be a couple of inches longer than they were to work in that bow.

Who would sell someone arrows so out of spine like that?

This shelf is flat and is not designed to be shot “off of the shelf.”

This is a sad tale. In many parts of the country, the number of archery pro shops has dwindled dramatically. I live in Chicago, and if you struck a 50 mile radius circle around where I live, you would have close to 10 million people inside that circle. To the best of my knowledge, there is one full-service archery pro shop in that circle. There are, however, a number of big box sporting goods stores that sell archery gear. Some of the members of one of the archery clubs I belong to work in such stores, so I know there is quality help available but time and again, bizarre sales are made from such stores.

A most common pattern is a newbie target archer goes to such a store and there is someone behind the counter to serve them. They tell the clerk they have a 30# bow and they need arrows. The clerk selects an all-carbon shafted arrow that they are having a special on (!) that is labeled 30#-50#, then measures the archer’s draw length (usually haphazardly) and cuts the arrows to the student’s draw length. This sounds right, no? It is dead wrong.

Many all-carbon arrow manufacturers got into the arrow game by selling a small line of good arrows cheaply enough to get sales. By designing the arrows correctly, they can cover the range of draw lengths that hunters need in maybe three shafts: 30#-50#, 50#-70#, and 70#-90#. With these kinds of shafts, though, you do not cut them to an archer’s draw length, you cut them to the correct spine. If those 30#-50# arrows are to be used on a 30# bow (with a 28˝ draw length), they have to be shot uncut.

Now, my student’s arrows were of a 350 spine, not one of these schemes. The spine chart for these arrows would have him shooting at 65+# at his draw length. There is no way to fit such an arrow to this archer. Either a mistake was made or a retailer was “clearing inventory” by any means at his disposal.

This AAE Super Flyte rest wraps around the riser to bolt on from the outside but needs considerable room inside the sight window to do its job.

Beginners, intermediate archers, and even some advanced archers do not understand spine charts and all of the criteria needed to fit arrows. They need professional help. I wish there were online programs on how to do this that were easily accessed and easily understood, but there are not. Please do not tell me about YouTube videos, the problem is there are so many videos posted on YouTube that it makes finding the right one quite problematic. I have suggested that major retailers and/or manufacturers set up a YouTube channel to address the equipment needs of these archers but that has not been done. We are currently developing several Internet training programs designed for coaches and archers but those are not yet done. (Maybe by summer.)

The implication for archery coaches is clear, if you want to be helpful, you need to inform yourself on these technical issues so you can be a source of clarity in the sea of confusion that now exists.

BTW I wrote a complete description of how to fit arrows and placed it into the team’s Dropbox folder labeled Instructor Materials. Now if I could just get them to read it!


Leave a comment

Filed under For All Coaches

I Want to Throw Up

I followed Ted Nugent around the floor in the vendor area at the Vegas Shoot a number of years back. He had a large gaggle of young people following him and I heard him throw the F-bomb several dozen times in just a couple of minutes, so I drifted off at that point. That is my sole personal contact with Mr. Nugent. I have heard and seen him on tape saying many racist comments and suggesting that President Obama should be “put down.” So you can imagine my revulsion on seeing the following photograph:

I wanna throw up.


Filed under For All Coaches

A Recurve Dead Release Spotted!

Video of the 2017 Shoot Up Finals for the Barebow division at the Lancaster Archery Classic in Lancaster, PA has been posted on YouTube ( Recurve Barebow is more popular around the world than it has been in the U.S. (driven, I suspect, by the popularity of compound archery in the U.S.) but Barebow is on a rebound now and more and more people are attracted to it. Featured in these final matches are: Dewayne Martin, Scott Bills, Bobby Worthington, and John Demmer III.

Interestingly, DeWayne Martin shoots with a dead release, something very few recurve archers can pull off. (More and more I am coming to the conclusion that there are no absolutes in archery (e.g. You must use a “live” release in Recurve.), just some things make shooting “more or less difficult.”

View the video! Flinches! Creeping! Tape on the nose! Tournament nerves! Stringwalking! (Although the announcers were somewhat clueless about the advantages of a crawl.) At 29:18 a close-up of John Demmer III’s quiver (current WA world field champion) shows arrows with two different fletching patterns. This would not be allowed in a WA shoot. The Lancaster Archery Classic uses a mixture of NFAA rules and their own. (It is a private shoot, they can do as they wish. If they apply for a sanction from one of the governing bodies they would have to conform to that association’s rules. Note Many people do not know that the Vegas Shoot, while owned by the NFAA, is a private shoot with its own rules.)

John Demmer III, the eventual winner, and an elite Barebow archer, shoots with a tilted head. You don’t have to do it right, you just have to do it over.

If you shoot Barebow or your students do, watch this video. This gives you a good idea of what is possible, at least indoors. It gives you an idea of what “the best” can shoot under pressure and then you can determine how you stack up or how close your students are.


Filed under For All Coaches

Personalizing Recurve Limbs

Recurve limbs tend to confuse beginners, intermediate archers, some accomplished archers, and even some coaches!

Sources of the Confusion
This will be about three-piece takedown recurve bows as they are the most common choice of target archers. The riser has a top limb and a bottom limb attached. These limbs come in three lengths (short, medium, long) which combined with various length risers, you can make the following bows:

Riser ► 23˝ 25˝ 27˝
w/short limbs 64˝ 66˝ 68˝
w/medium limbs 66˝ 68˝ 70˝
w/long limbs 68˝ 70˝ 72˝

Confused yet? (There are risers of other lengths!) Did you note you can make a 68˝ bow three different ways? (Generally, the shorter the limbs, the faster the bow, all other things being equal.)

The limbs then come in typically two pound (2#) increments over a fairly wide range of draw weights: e.g. 14#–48#. So, if you get “long limbs” and put them on a 25˝ riser, to make a 70˝ bow, and those limbs are listed at 32#, will you have a 32# bow?


Recurve limbs have their draw forces measured at 28˝ of draw. (Unless the bow is a youth bow for which it is common to measure the DW at 24˝ or a traditional bow, which are often measured at 26˝). Confused yet? But how many archers have a draw length of exactly 28˝? My guess is not too many. My guess is that most archers will have either longer or shorter draws. If their draw length is longer than 28˝, the draw force “in hand” will be higher than the weight listed on the limbs. If their draw length is less than 28˝, the draw force “in hand” will be lower than the weight listed on the limbs.

Well, if their draw length is exactly 28˝ will that be a 32# bow? Uh, maybe. Making limbs is not a perfect science. If a manufacturer makes a limb that is 31.5# do they discard it? No, they do not. It is “close enough” to 32# to warrant a 32# sticker and it goes in the pile with the rest. Now, don’t go all ballistic on the manufacturers about their sloppy manufacturing tolerances. These are quite reasonable numbers. If they do go “out of tolerance,” the limb is scrapped. And, if we insisted on perfect limb poundages, the price of limbs would skyrocket as so many would have to be rejected as not being “perfect.” (Since they can’t be recycled, so “Make another one, Bill, that one didn’t pass muster.” And if you have to make three to get one perfect one, do not expect them to be cheaper.)

FYI The manufacturers do not measure draw force like you do, they have a machine that clamps the butt of the limbs, fixing those in space. Then they place a force, in the old days this was a weight, on the limb tip and measure how much it bends. These “limb tip deflections” correspond to draw weights of assembled bows (the lower the LTD, the higher the DW).

What You Can Do to Lessen the Confusion?
As a coach, you can help get archers into a proper-sized bow. Youths need to avoid bows with too much mass as their bow shoulders aren’t very strong yet. Shorter archers need shorter bows, etc. Once an archer is fitted with one size of bow then you need to be able to address changes.

If they grow much taller, they may be ready to move up from, say, a 23˝ riser to a 25˝ riser. (Shorter risers have smaller sight windows and if the bow has a low draw weight, too, there may not be enough room in the sight window for all of the aperture positions needed. Longer risers are better for many reasons, but they are also longer and heavier than shorter ones.)

An Aside Bowhunters often use risers that are 20˝ or even 19˝ long. They can get away with such short bows, because their bows have to have a minimum draw weight of 40# (typically) and the shots they are taking are from fairly short range (20-30 yards).

Confused yet?

Changing riser lengths is a rare event (buying a new riser of the same length doesn’t pose fitting problems). Changing limbs is much more frequent. Enter the adjustable limb pocket! The first mass produced adjustable limb pocket was introduced by Hoyt archery, and which was so popular, the design was stolen worldwide; we now call it the International Limb Fitting, or ILF. This design was for a limb that pressed into the pocket, with a click stop, and a pocket that allowed the angle the limb made with the bow to be varied a little. Prior to the invention, you screwed the limb bolts in and out to attach and detach the limbs and if you wanted to make a limb angle change, you had to make (saw, carve, whatever) small wedges to slip between the limb and the riser and then screw down the limb bolts trapping them in between. This was more than a little bit of a hit or miss procedure.

An ILF Limb Pocket on a modern recurve riser.

With the new ILF design, the limb bolts were locked in place with a lock screw and the limb had a notch in it so it rode up to the bottom of the limb bolt (the butt having a “rocker” designed into it).

Note the rocker built into the limb butt. This allows an ILF limb to rock toward and away from the archer, restricted only by the position of the limb bolt.

When the limb bolt is “backed out,” the limb angles back toward the archer. This increase the brace height a little and lessens how much the limb gets bent at the archer’s full draw. Both of these lessen the amount of energy transferred to the arrows. But you can only do this so much before it becomes dangerous, so typically the draw force can be only reduced about 10% from the printed maximum on the bow. This amount of limb lean is so small that it is hard to see whether a bow’s limbs are “cranked down” or “cranked out” visually while they are being shot.

So, here is our quandary: recurve limbs (once a length is settled on) have their draw weights rated at 28˝ of draw (which your archer doesn’t have), may be slightly less or more due to manufacturer’s tolerances, and can be anywhere from the highest value of draw weight for those limbs to about 10% less than that depending on the limb pocket settings.

Got that?

If your head is spinning, you are not alone.

Try This Here’s a system that can simplify the situation for you and your archer. To use it you need a reliable draw weight scale (all measures must be made on the same scale). Here’s how to do it:
1. With your archer’s current bow, crank the limb bolts all the way down counting how many turns are being made in the wrench. The reference point for “turns” is the limb bolts all of the way down, so when we get there that will become the new reference point. If it takes three (3) full turns to get them all of the way in, then the limbs were “at” three full turns out from bottom.
2. Measure the draw weight of the bow at your archer’s draw weight. If they use a clicker, put one of their arrows on the bow and pull until the clicker falls off. Easy peasy. Write this number on the limbs with a Sharpie/permanent marker.
3. take 10% off of that full draw weight measure and write that number down next to the first one. That is the draw weight range for your archer’s limbs at that draw length. (Set your archer’s bow back to its original state when done.)

Moving On Up
If they want to increase their draw weight once they are “bottomed out” on their current limbs, they need to buy limbs of the same length, four pounds (4#) heavier. The previous limbs were bottomed out, the new limbs will be backed out, typically maximally. So, if moving from 30# limbs, you move up to 34# limbs and back them off fully (10% of 34 is 3.4 pounds) which gives your archer a net 0.6 pound draw weight increase, which is easily doable and he/she can crank it up from there.

No matter what their “personal draw weight” is, use the ratings on the limbs to make purchases. So, if the limbs were marked 28#, you move up to limbs marked 32#. Whatever their personal draw weight max is, it also will be increased 4# (approximately).

Their personal draw weight, the “weight in hand” is what you need for fitting arrows, etc. The marked draw weight is only used to identify limbs for purchase.

But, Wait, There is More!
Here are two sets of limbs and their maxes (in hand) for that archer:
26# limbs        29.5# max
28# limbs        31.5# max
He also has a pair of 30# limbs, can you estimate what they would measure maxxed out for this archer?
I came up with 33.5#. In each case the difference was about 3.5# and since all of these numbers are fairly close together, that pattern should continue. When the limbs get up over 40# I expect slight differences.

Now, just for fun, take off 10% from each of those max DWs to give a range for each set of limbs.
I get:

26# limbs 29.5# max 26.6# min
28# limbs 31.5# max 28.4# min
30# limbs 33.5# max 30.4# min

Can you see that the 26# and 30# limbs cover the same range (26.6#–33.5#) as these three do? There is a small gap from 29.5# to 30.4# when the swap from the 26# limbs to the 30# limbs is made but that is a reasonable “jump.” This is why it is recommended that you buy limbs in 4# increments (another blessing from the ILF system).

Note Realize that often more that 10% can be removed from a set of limbs so that gap is often much smaller.

Safety Note Never exceed the number of turns allowed in the manufacturer’s instructions!

If you try this system, let me know how it works for you or your students.

Leave a comment

Filed under For All Coaches

Breaking News! Archery is Counterintuitive!

I got the following email from my best student this morning:
“Okay coach, explain this one to me. Increasing my bow weight seems to make my arrows shoot more to the left. Compounding my confusion is that tonight I got the groups to move back to the right by tightening my plunger. Count me confused and dazed!

If this has never happened to you, you haven’t been in archery very long. The student in question shoots Olympic Recurve, so you have that as background. Here is what I answered, expanded for this post).

* * *

A bow is a closed system, when you change one part, many others are affected. (Memorize this!)

You got two counterintuitive responses to things you did. The problem is that ceteras parabus was nowhere to be seen. (Ceteras parabus is the principle that “everything else was the same.”) When you make a single change to a bow, you make other changes, too … always! There is no such thing as “everything else was the same” when working with bows.

For example, you increased your draw weight. I do not know how much but it was not a fraction of a pound is my guess. When you screw in the limb bolts, you change the angle of the limbs to the bow (making the limbs more upright as it were). This results in a lower brace height. (Plus more tension on the string at brace, plus …) The brace height is one of the determinants of the point in space at which your arrow’s nocks separate from your string at the end of the power stroke. Since the string’s path toward the riser is a flattish “S curve,” the change in the point of separation of the string and nock is complex. If the nock comes off more to the right from where it did previously, the arrow ends up pointed more to the left (the point has enough inertia that it doesn’t move as much as the nock end). If the nock comes off more to the left, the arrow will be pointed more to the right. (Think about it.) I have also to point out that when the arrow separates from the string it is no longer touching the arrow rest.

“Coaches need to expect counterintuitive responses to equipment changes.”

When you change the bow’s draw weight, you are also changing the efficiency of the bow due to a spine match or mismatch. I think I told you about the compound archer who lowered his draw weight (just a half turn on each limb) only to have his arrows hit higher on the target. What happened when he lowered the draw weight,  he created a better spine match (arrow to bow), which created a more efficient transfer of energy from bow to arrow which made up for the energy loss from the change in draw weight and more. These are the kinds of counterintuitive things that can happen.

If we had created a perfect spine match for your bow before (unlikely, such things take a great deal of time and effort), we no longer have that spine match. When you finish your draw weight changes, a complete re-tune is necessary because so many things have changed.

If you think the string goes straight toward the riser, think again. (Yeah, this is a stringwalking Barebow archer, but I get to exaggerate for emphasis, don’t I?)

A general consequence of this situation (reality actually) is coaches need to expect counterintuitive responses to equipment changes. This is because of the reasons stated and because what you were taught were often oversimplified rules of thumb. For example, “weak arrows fly to the right, stiff arrows fly to the left.” and “If you lower the nocking point, you will raise the hit point of the arrow on the target.” (All of these are for right-handed archers.)

These equipment aphorisms were intended to get you down the road until you could think through such problems without needing them. From a perfectly tuned bow, if the nocking point is lowered a slight amount, the arrow will hit on the target lower than it did previously. But if you lower the nocking point enough, the rear of the arrow will start hitting the rest or arrow shelf and where those arrows land is anybodies guess.

All of those pithy little rules need to be taken with a grain of salt. And, they need to be thought through as they are all true … up to a point. By thinking them through they provide an entry to better understanding of archery equipment. If you do not, they become unreliable crutches. (I am speaking from experience here. If I had a nickel for every mistake I made, I could have retired earlier.)


Filed under For All Coaches, Q & A

What are the Advantages of Having a Heavier Bow, Like 50lb Compared to 30lb?

The question in the title comprised the entire question asked. There are advantages and disadvantages to all of these considerations and such considerations also depend upon application. You didn’t say what your particular application is, so that makes any answer I provide longer. (If you want short, pithy answers, ask detailed questions. ;o)

For example, if you are a bowhunter, most hunting regulations specify a minimum draw weight for hunting, typically 40# or so. Thus, a 30 pound bow would be illegal to use, a major disadvantage.

In general, hunters prefer higher draw weights and target archers lower draw weights. (As with all such broad statements there are many exceptions.) The reason for this difference is that a target archer may have to shoot one hundred or more shots in a single day but a hunter merely a handful. For some reason, a compound bow peak weight of 70# has proved popular for deer hunters. This is excessive as these bows will drive an arrow through the body of a deer, the most common large game animal in the U.S., and out the other side (still traveling at high speed). Possibly this very high draw weight is due to manhood issues amongst the bow purchasers or is possibly just a manifestation of hunters buying whatever everyone else has.

Whew, 53#! Just whew!

Olympic Recurve archer Brady Ellison shoots a very high 53# bow setup and is doing very well for himself. Most everyone else is shooting a lower draw weight, the women being typically about 10# lower.

In general and for target archers:

Positives of a Higher Draw Weight for Target Archers
A higher draw weight produces a crisper release of the string. (The string supplies the force to move the string out of the way and the more force available, the straighter the path of the string.)
A higher draw weight produces a flatter arrow trajectory. (This allows an archer to stay closer to perfect form for longer shots, not requiring as much bow elevation.)

Negatives of a Higher Draw Weight for Target Archers
A higher draw weight produces more fatigue. (Drawing a 70# bow is the equivalent to exercising with a 70# weight. How many repetitions can you do and execute with the same form on your last shot as you had on your first?)
A higher draw weight produces more tension at full draw. (Even compound bows suffer from this effect: a 70# bow with 65% letoff still has 25# in hand at full draw. A higher “holding weight” shortens the amount of time an archer has available at full draw and stresses the full-draw form of the archer. Obviously a recurve or longbow archers has an even higher load at full draw.)

In the past, high draw weights were the only option to increase the power and cast of a bow. Many of the English bowmen of the past were shooting bows of 100#-125# of draw. But that was then and this is now. Now, lightweight and extremely stiff carbon arrows allow high arrow speeds to be produced at much, much lower draw weights.

So, unless you have aspirations of being a very, very serious target archer (one who trains many days a week) my recommendation is to consider the goal of finding the lowest draw weight bow that will allow you to shoot your last arrow in any set with the same form and execution as you had on your first. Higher draw weights than that require serious physical training to be successful (which can be achieved by shooting, but that means many days per week of shooting).

“My recommendation is to consider the goal of finding the lowest draw weight bow that will allow you to shoot your last arrow in any set with the same form and execution as you had on your first.”

The overwhelming popularity of compound bows in the U.S. is driven by the difference in peak weight and holding weight of those bows. Low holding weights lower strain on the archer at full draw and increase the time available to aim while providing high arrow speeds because of he high peak weights. But too high of a peak weight will wear a compound archer down in a longer competition, resulting in mistakes that cause point losses no one likes. The same is true for recurve and longbow archers.

Choose wisely. The worst thing that can happen to an archer is to be overbowed (too much draw weight) because it distorts form and literally sucks the fun out of shooting.

Leave a comment

Filed under For All Coaches, Q & A

Should Coaches Necessarily Be Good Archers, Too?

I was watching a golf instruction video and the coach giving the lesson demonstrated what he was talking about by hitting the shots as described. All of these coaches, even when quite old, still play very good golf. When the PGA certifies its coaches, there is a score requirement, that is coaches need to be able to shoot a very good score on a course whose difficulty has been determined (no cherry picking of a really easy course to set your mark, the easier the course, the lower the score required!).

“If you are a coach what should be expected as to level of your expertise with bow and arrow?”

In contrast to that requirement, in all of my coach certifications, and there are a good half dozen of those, I have never been asked to demonstrate my skill as an archer (or as a coach for that matter). I have only been asked to demonstrate my knowledge by passing a paper and pencil test.

And even further extreme is the professed belief of many compound archers that if a coach is not a current or former champion, they have nothing to teach them.

So, if you are a coach what should be expected as to level of your expertise with bow and arrow?

In golf, there are specialists who deal with the equipment: fitters, club makers, technicians. In archery, not so much, so coaches need to know enough about their equipment, its repair and replacement, set up, etc., to be able to help their students. Archery coaches also need to know about form and execution, competition preparation and strategies, and a lot more (training, nutrition, the mental game, etc.).

And, archery is a sport in which “feel” is important, so experience is necessary. An archery coach who has never shot a bow and arrow is at a distinct disadvantage in being able to communicate regarding how a shot feels. So, my opinion is coaches need to be able to shoot, or needed to have shot enough in their lives to address all of these issues. Further, if you want to coach, say, traditional archers, you need to have some experience shooting traditional longbows and recurves in traditional manners. Do you need to have tried every technique you might want to communicate to a student? Well, in a word, yes. Tried certainly, mastered, no. Mastery only comes from years of practice. Most coaches have a major discipline (recurve, Barebow, compound-release, traditional, etc.) and in that discipline they need to have developed a fairly high level of skill. Do, they need to be “championship level?” I do not know what that means, or rather, it means something different to different people. I have taken medals in tournaments with the word “championships” in their name, but I was hardly an elite archer, ever.

Some times the best coaches come from the cadre of those who were “less successful” but tried everything to become more successful and, hence, are more knowledgeable. I consider myself one of those.

Nobody “knows it all.” So, if you find yourself in the position I found myself, where there were many students seeking help in a discipline that was not your forté, then take some lessons in that discipline, acquire (borrow, buy, rent, whatever) the required equipment and give it a try. Sign up for a tournament in your new style to put some pressure on the pace of your learning. My specialty is compound but I have had more fun competing in recurve and longbow events (possibly because there was no pressure to try to win) and I certainly learned a great deal from those experiences. I got such a baptism, from a bloke who was encouraging me to learn traditional styles by him getting me to sign up to participate in USA Archer’s Traditional Nationals. He even made me a longbow to compete with. I was not in good physical shooting shape at the time and it was a long two days (York, American, and Clout Rounds) so I got very tired, but I had a blast … and I learned a great deal.

1 Comment

Filed under For All Coaches

Casing the Joint, er, Bow

I just received a number of emails from a concerned new compound archer as to whether a “soft case” would be adequate to protect his bow on bus rides, etc.  Well, there are bus rides and there are “bus rides” if you know what I mean. In Costa Rica I saw potholes the size of Volkswagens, so bus rides can be perilous. (Heck, some of the larger ones in Chicago can swallow motorcycles.) But allow me to address ordinary, civilized bus rides and car rides, and so on and what kind of bow case you might want.

Right off let me say you do not need a bow case … at all. I have carried bows around naked in my car. I have carried takedown recurves in pillow cases. This is not a “must have.” I would call the purchase of a bow case, a “prudent purchase.”

Hard plastic bow cases tend to be much less expensive that aluminum cases. Some come with wheels so you can roll them through airports. Note there is room for arrows and stabilizers and quivers and binoculars, etc. inside of the case.

I do not recommend that my students carry a naked bow on public transit as that act can attract the wrong kind of attention. So, a bow case serves to mask the contents of the case and people who are not familiar with them might think it was a case for a musical instrument or something.

Bows receives some bouncing around traveling in a bus or car, so a bow case protects your investment in a fairly expensive sporting good. So, it has that merit, also.

When traveling by plane I put compound bows in a plastic “hard” bow case. This is because luggage is stuffed into cargo holds in airplanes and then a hired gorilla jumps up and down on it to make sure it is packed tight. (Just kidding! It just seems that way!) I honestly do not want the cargo in an airplane I am traveling it to shift around, so I want them to pack it in safely. But that means you have to protect your bow from having a small mountain of luggage piled on top of it. If you expect to be traveling by air, consider a hard case for your compound bows.

A soft bow case can be a bit pricey but the less expensive ones tend to be less than the hard cases. Note the number of “side pockets” which can hold equipment. If you are flying I would put anything I put in a side pocket in a hard case of its own (sight case, etc.).

When I travel locally, I always use a soft case. They are lighter, easier to pack, and can take quite a beating. I prefer padded bow cases, as the ones that are not padded don’t provide much protection. Bows have become quite a bit shorter over the last 20-25 years. When I first got into archery, compound bows were 44˝-46˝ axle-to-axle in length. I found a good supplier of high quality bow cases on the Internet that were 52˝ in length and all of my bows fit. Today, bows are much more likely to be less than 40˝ ATA and so bow cases sold today are considerably shorter. The only “long” one I was able to find after a quick search was 46˝ long which would fit a bow of about 42˝ATA. If you put an old bow in one of these cases, one end of the bow sticks out. That end is not protected at all.

So, measure the full length of your compound bow, not just ATA, and make sure the case you are buying is 1˝-2˝ longer than that. If it is padded, it will protect your bow on car or bus trips. Most of these cases have a large side pocket that will accept arrow tubes and stabilizers.



Filed under For All Coaches

Paying Attention to Hands

If you have read this blog at all you probably know that I follow golf coaches a lot, mostly because there are few archery blogs of any value (which is changing … slowly). The similarities between golf and archery are many, the primary difference is in golf, the golfer supplies the energy to the ball whereas in archery the bow does that work on the arrows (after being loaded up by an archer). But a comment by one of my favorite golf coaches, Darrell Klassen, really struck a bell:

… your hands are the body part designed to start almost every motion. Doesn’t matter the sport. Baseball, hockey, golf, tennis, football. You start every action with your hands. You don’t even have to think about it. Next thing you know, all the other parts come into play. Feet, legs, hips, shoulders…they all do their bit.

“The kicker is this (and this is where most of the mags just don’t understand). You can’t manipulate the sequence. Thinking about a part (like you shoulder turn) screws up the whole darn thing. There is however, one part of the sequence you can (and should) manipulate. Guess what that is? Yep, your hands. Thinking about changing what they will do (like their speed, direction, angle, start position etc) will change the whole sequence.

“Manipulate your hands, and you can create any shot you want. And your body will just follow.

In archery, our shot sequences have a step called “set your hands” which we often gloss over, but this step is critical to consistent accuracy. If the angle your bow hand makes on the bow differs, or the angle stays the same, but the position shifts left or right, the effect on the shot is significant. If the fingers on the string or release aid, change position or shift in the amounts of force each finger delivers, the effect on the shot is significant.

I work with quite a few Barebow archers who walk the string. A crawl that varies by as little as 1/16th of an inch will change the distance allowed for by 2-4 yards, all other things being perfect.

The positions of the hands on the bow and string/release are critical aspects of archery shots.

The key thing to realize here is seen in Coach Klassen’s comment “Manipulate your hands…. And your body will just follow.” If your hands aren’t quite right, there is a cascade of adjustments your body makes to make the whole movement conform to the desired outcome (the one you are envisioning in your mind).

Our hands contain many, many sensory nerve endings. The diagram (right), common to biology textbooks, is an attempt to show the relative concentrations of these sensory nerve endings. Note that our faces and hands have out-sized concentrations of the ability to feel temperature, pain, and pressure (the only three kinds of sensory nerves). The nerves we use in archery, of course, are pressure nerves. Because so much neural processing is dedicated to the data coming from out hands, a great deal of life energy is allotted to dealing with that information. So, if our hands are not quite right, we will squirm, inch, nudge, jiggle, or flat out shove other body parts to make them right. All of which are disastrous when looking for consistent accuracy with a bow and arrows.

So, if you have a student struggling with consistency, look to their hands; spend some time on their routines of placement, refine these if necessary. More than a few Olympic recurve archers have made a tattoo mark on their bow hand to aid them in lining their bow with that hand. Yes, it is that important.






Filed under For All Coaches

How Does Remote Coaching Work?

I thought you might benefit from seeing a few exchanges between a student-archer/colleague and a coach (me) showing you how “remote coaching” goes. I did not include all of the photos/videos of the student for reasons of privacy and to keep the length of this post down to something reasonable. Note The student is working with a local coach and learning NTS Recurve and consulting me on the side (because he/she can). This discussion took place over several days.

* * *

My coach has me working on basically bringing my draw hand down (on the draw) and then back up and under my chin once I was about to anchor. I was kind of hunting around for my anchor. I still am! I was also working on not moving my head around to try and find my anchor too. In trying to make this change to drawing under my chin, I started holding my bow hand too long. Chaos…

I can’t remember, were you shooting with a “corner of the mouth” anchor before? If so, learning to get to a “low anchor” aka “under chin” or Olympic anchor can sometimes be a struggle. A key point people tend to leave out is that if you are going for a low anchor, your chin needs to be higher than with the side of the face anchor. Ideally we would like to have the jaw line horizontal but not everybody is shaped that way. To give you an idea as to how much the chin has to come up I urge female archers to “channel their inner haughty princess” to get about the right angle.

Also KiSik Lee, or his co-author, confused a lot of people with his first book which had photos and words indicating that one needed to draw 2-3 inches below the chin and then come up. In his second book he corrected that to 1˝ or a tad more … in other words, just under the chin. The key points are you want to get to full draw quickly, into a position you can feel in your back and shoulders, then find your anchor position quickly. Often students, in an attempt to be exacting, work too slowly (trying to be oh, so correct) and as a consequence run out of energy on each shot, hence the feeling of struggling. The draw needs to be smooth and strong and quick but not rushed. Honestly, most men tend to draw too fast (at first) and most women tend to draw too slow (at first).

If you look at YouTube videos of some of the Korean women, you will see smooth, strong, confident draws that are quite quick but there is no rushing involved. Of course, that is what many tens of thousands of practice shots will get you, so don’t expect that level of performance. (They are, in effect, professional archers who train and compete six days a week.) But you can see in their form what the idea is that you are striving for.

Once you have practiced this a lot, you will find it is easier to relax unneeded muscles while executing your draw which will make it even easier.

For some reason, many coaches do not point out that you should do the bulk of your practice on a new form element with a stretch band or a very light drawing bow. (I use a 10# bow a lot in my coaching.) Once the student (You!) gets the hang of the move, then you can move up from 10# to 14 # to 20# to full draw weight quite quickly. It is much harder to try to learn a new move at whatever your full draw weight is.

Yes, when I first started writing to you I was using a high anchor and started having string slap issues when I switched to a low anchor. Soon after I started corresponding with you, I found a coach. I believe I asked if you had heard of him, but I guess the archery world is big (even though it can seem extremely small at the same time). Ah, one thing that is bugging me is that I can’t seem to get my hand snug along my jaw. I do use a stretch band and I’m having success there. But once I put on my finger tab and pull my bow my hand seems to be nowhere near my jaw. I’m getting nice contact between my lips and the string though. I’m not sure if I’m putting too much emphasis where it’s not needed.

I have been watching Khatuna Lorig and Mackenzie Brown. My coach wanted me to especially watch Mackenzie because her coach uses the NTS. You’re totally right about drawing too slowly. I am guilty of this and it does make me tired. When I see pros shoot, they come to full draw so fluidly that it’s hard to see the “steps.”

I still have the 19# recurve bow I borrowed from my summer archery club. I’ll try and work with that after I work with my stretch band more.

Many people have a steep jaw line and the NTS “recommendation” of a lot of hand contact along the jaw is just not possible. (You need a bit of a square jaw for that to happen—see the photo of Coach Kim Hannah, her jaw line is more vertical, so she can’t do the full NTS anchor position.) Have your daughter take a still picture of your head and shoulders at anchor to see what you have going. A video isn’t necessary (unless you would like that).

Regarding the string slap, did your coach talk to you about rotating your elbow so the crease is near vertical?

And if you are using a ledge on your tab I would suggest you reconsider that. The only use for a ledge is if you are having trouble reaching the target. If not, take it off, put it in a Baggie, label it and set it aside for experimentation later. A ledge really interferes with the NTS “hand along jaw line” position.

Also, these tabs that are providing places to put your thumb and little finger are just providing leverage for digits you do not want involved at all! (IMHO, of course! ;o) We teach beginners to make a Girl Scout salute (same as the Cub Scout salute but I like to tweak the boys). From there, they are to curl their fingers and slide them up under the arrow. This makes a classic three-fingers-under string grip. Once they reach anchor, they are allowed to break the contact between their thumb and little finger (by relaxing them) and voila (see photo—see pad of thumb and little finger nail touching). Once they get used to these positions they can adopt them with little effort and attention. The little finger is loose and is just in a relaxed (curled) position. The thumb is slightly extended but it ends up below your jaw line, out of the way. If the thumb is up anywhere else, it blocks getting into a good anchor position.

Looking at your photo at anchor, you chin is up nicely, maybe a bit too far! If you were to lower your head a tad, you would get a “nose touch” that is the string would touch your nose. As long as this doesn’t affect your release it gives you feedback as to whether your head is in the right position.

Note, also, in the second photo that the string and arrow are gone and your hand has not had time to move much, so who cares what it does thereafter? By observing the movement of your body parts after the release, though, you can infer the conditions during the release. We would like to see the string hand move straight back away from the target and stop with your fingertips just under your ear. This is not something you do, this is something that happens determined by using the correct muscles to pull the bowstring directly away from the target and then your fingers giving way when your back muscles are still flexing. Since you can only move so far in that position (range of motion) your fingers end up under your ear and stop because your shoulders cannot move any farther.

You look good in this photo.

Thank you very much for the feedback. I have been concerned about the nose touch too. I will try to angle my head a bit and see what that does. My coach said it sometime almost looks like I’m moving my head away from the string. I’ve been trying to think about the release too; not plucking the string. I’ll continue to work. 🙂

If you can pluck, you are either out of line or not pulling with the right muscles. The release is something you shouldn’t think about. Observe it (take videos, whatever) and then adjust things. If your hand moves in any direction other than straight back, it is not your release that needs fixing, its your line or the muscles you have chosen to use.

The nose touch is not an essential. Play with a light weight bow . Get to full draw and move your head around. The key elements are that you have to have your head turned far enough (so your nose doesn’t block your vision), your eyes need to be level (for optimal vision), and your chin needs to be up (just a little bit, as we discussed before). Everything else is nonessential. So, if you can get all of that and a nose touch, it is gravy! Enjoy!

PS One of the joys of archery is you can do some rather hard work and see a benefit in short order. Often in work or family matters, projects go on and on and on (teenagers!).

I picked up my 19# bow to work on this. So luxurious to have more than one to choose from. I find that when I work with the stretch band and I release it, my hand does go back to my shoulder. When I release with my bow my hand ends up somewhere around the right side of my chest. I’m working on it in a relaxed way.

The key is your draw elbow. If you maintain the arc of your draw elbow through the shot, it stays high and your hand will slide back until your fingertips are no farther back than under your ear (end of the range of that motion). This is the true end of the shot, for your body. We wait until the bow finishes its “bow” as a bit of overkill because that bow’s “bow” has information in it that tells us about the forces acting on the bow at the time of release, and … well … enquiring minds want to know such things. In order for your hand to go back farther, touch your shoulder, etc. your elbow must drop downward, which is a movement unassociated with the shot itself and so does not affect the shot and is, at best, an affectation, but one that misleads because how well you do that movement doesn’t tell you anything about the shot.


Filed under For All Coaches