Before continuing my review of the DVD “Shooting Form” by Dave Cousins and Liam Grimwood, I thought I would take a little time to clarify my thoughts on “the stance,” since I went off on it in Part 1 of that review.
Okay, so we start with a question. If you get this answer right, you will know that you are an expert archery coach. Here it is: what is the purpose of the stance? In other words, what does it provide an archer?
<Jeopardy music here . . . dah, dah, dah, dah . . . >
Got your answer?
Well, the key element the stance provides an archer is stillness at full draw. If you said balance, balance is a cog in the wheel but what is needed at full draw is not balance per se, but stillness. If we are still, the only problem facing us is placing our bows in space correctly and executing a clean release. If we are not still, we not only have to place our bows in space but also in time. Sure Legolas in the Tolkien movies shot while running and whatnot, but his arrows were CGI’d. Being still is crucial to the success of an archer hitting her mark.
Now the stance is not the only source of stillness but it is a major source of problems associated with it.
And, I think stances are personal. They are all similar but no one stance serves all archers. You and your charges must find your stances.
All of the forces at full draw need to be in a single plane, a vertical plane going through the archer’s point of aim (the target center if there are no extenuating factors like wind) because the arrow, when launched, has to be in that plane. This is because as a free projectile, it is only being affected by aerodynamic forces and gravity. Gravity acts only downward and aero forces act along the shaft of the arrow, so if the arrow is launched at an angle to the plane through the target, it will simply get farther and farther off plane the longer it is in the air.
Since this is the case, that all of the forces acting on the arrow need to be in that plane, consequently all of the bracing of the archer’s body needs to be there also. This is why we stand sideways to the shooting line, so that our legs can exert forces on the ground (and the ground can act equally in the opposite direction) to keep all of the forces exerted by the archer in plane.
Now, I showed you Rick McKinney’s “wind stance” in that last post, and that stance was used to create torsion within his body to oppose the forces of wind acting to shove this bow/arrow off plane. But in the absence of wind, that stance has no added value and actually makes shooting harder. You would never use it indoors for example (no wind).
What I recommend regarding stances is to start all archers on some kind of neutral stance to minimize any stance effects upon shooting “in line.” You should now surmise that “being in line” and “shooting in line” has to do with creating the forces propelling the arrow in that vertical target plane.
Once an archer has learned to shoot in line, then other stances can be explored, and I do not rule out open stance or closed stances. If an archer finds a more comfortable stance, being able to shoot the same scores or a stance that allows them to shoot better scores, I am all for it. I just do not want to see them losing their “in line shooting” from that exploration. (That probably should be “in plane shooting” but the phrase “being in line” was invented long before I came around.)
So, how does one adopt a “neutral stance”?
The Natural Stance There is a process to find a neutral stance for any archer. It goes like this:
Address a target at a medium distance. Draw on the target and settle with your arrow point/sight aperture on target center, then close your eyes, count to five and then open them again. (If you can do this counting to a larger number, go for it, but I don’t think over ten seconds is necessary.
When you open your eyes, you are looking for whether or not your aperture/point has drifted left or right (ignore up and down). If your aperture has drifted to the left, move your feet (preserving your normal spacing) so that your aperture is in line with target center.
Let down, rest for 30 seconds and repeat.
What you are looking for is minimum left-right aperture drift upon opening your eyes.
Interpreting This Drill If you drift substantially off line in this drill, you are, in essence, fighting your stance. Your body wants to point your arrow “there” that is you have aligned your body to point it off to the side. This means that with your eyes open some effort needs to applied to oppose this “natural tendency” to point the arrow off line. If you can find the point where your body is not fighting your stance, that stance is “neutral” in my book. Of course, one then needs to memorize the relation between foot positions and shooting line.
I had a thought to create a large “Lazy Susan,” at least three feet wide for archers to do this drill from. Instead of having them move their feed between iterations, I would rotate their whole bodies via the platform. This thingamajig could also be used to explore open or closed stances. I never got around to building one (the metal rolling parts are available in home stores as are three foot and larger plywood rounds, so you could if you wanted to play with such a device with your charges).
Balance is Tricky
Regarding balance I did some preliminary studies using bathroom scales (I think I reported on those studies here). I placed four scales in positions that archers could put their heels on two of the balances and forefeet on two others. I asked them to adopt a balanced stance empty handed and noted the left-right balance and front-rear balance (heel-toe as it were). Then I checked the status of the four scales at full draw.
In testing an expert compound-release archer, I noticed something interesting. He was on scales and I handed him his bow (which I had weighed already) then asked him to adopt a “bow raised” position. I checked the scales and, interestingly, the entire weight of the bow showed up on the bowside scales and none of it on the rearward sales. I puzzled over this. Of course, I asked him to go to full draw. At full draw, his weight was distributed exactly as it had been with no bow, all readings being slightly higher accounting for part of the weight of the bow. The state of balance was exactly as it had been sans bow.
But why did all of the archer’s bow weight show up on his lead foot at pre-draw? The best I could figure is that the archer could have rebalanced himself with a tiny shift in the position of his center of gravity, but didn’t bother. Since the state of balance was going to come back to what it was sans bow, why rebalance oneself when raising the bow then rebalance oneself at full draw, when one can leave the state of one’s body in the “balanced configuration” and just accept all of the bow weight on the front foot and then let it come back when the draw is completed without doing anything. Neat.
And, I can’t withhold my favorite finding (provisional though it is), when I handed these archers their bows, their front back balance shifted more weight toward their toes than the heels. You have probably heard that archer’s need to have 60% of their weight toward their toes and 40% toward their heels, this being presented as something archers need to do. It is not. It happens automatically. You see, we shoot standing beside our bows. The bow, and its weight, are in front of us. When we draw we move some of our mass rearward (the bow arm) and this balances out the weight of the bow in our other hand (somewhat) and then tiny shifts in our centers of mass make us balanced, left-right, at full draw. But the weight of our bows causes a tiny shift of weight onto our toes which is a slight bias but a desirable one because it feels right, more weight should be on our toes because we are holding a weight in front of us.
The “desired” 60%-40% front-rear weight distribution is not something we do, it is something that happens. This is an important distinction, that if confused will result in wasted time, effort, and energy on the part of both coach and archer. Your archers need do nothing, but feel still at full draw. Stillness is the key. If you desire it, our bodies provide it.